She doesn’t want another scarf. (Maybe a tattoo?) #humor #ThrowbackThursday
Older women: we don’t have to behave ourselves. We only have to behave like the selves we want to be. …
Older women: we don’t have to behave ourselves. We only have to behave like the selves we want to be. …
In yesterday’s post, I compared standard young adult dystopian tropes to the new standard of life in the time …
I was TOTALLY right! As CNN reports here, in a new study by a team of researchers at Germany’s Heidelberg …
I was fascinated by Andrew Joyce’s new generational saga, because in many ways his tale of Irish refugees in America …
Thinking of writing a Western? As genre’s go, this one’s tropes are relatively easy to nail: Set it in the American …
[Excerpt from Life Begins When The Kids Leave Home And The Dog Dies] The advantages of geezerhood Every time I …
Barb’s guide to surviving Christmahannukwanzadan Solstice….You’re welcome #6: The Office Party. (here) #5: Waiting in lines. (here) #4: Visiting Santa. …
The most dangerous relationship question: What do you want to watch? With the possible exception of joint DIY projects or …
Of course, we all know about the Wild West. Men wore cowboy hats—white stetsons for good guys, black for bad ones. Everyone was armed with a six-shooter, and cowboys were old white dudes with names like “Tex” who’d grown up on the open range. Women came in two kickass models: good (frontier wives/ preachers’ daughters) and bad (dance-hall girls/Soiled Doves such as Big Nose Kate, Doc Holliday’s common law wife). Occasionally, the Soiled Doves—if they had a Heart-of-Gold—would become good saloon owners (like Miss Kitty in Gunsmoke) or even wives. On any given noon, there could be shoot-outs on Main Street. Or perhaps a gang of black-hats wearing long dusters would arrive in town, scope out the saloon, and then rob the bank, shooting their way out of town in a hail of bullets as they hightail it back to the Hole-in-the Wall/territory line/Mexico.
Andrew Joyce doesn’t so much take on the stereotypes, as he presents a revisionist history of epic events from a human scale. But in the light of recent elections, I also have to say that it feels like a cautionary tale. As Americans, we’re invited to examine our past, and to take an honest look at what happens when we stop viewing other people—their lives, their looks, their cultures—as having the same level of human value as our own.
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