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Rosie's Book Review team 1I reviewed The Killing Knife (A Tale of the Assassin Without a Name #1 – 3) by Scott Marlowe for Rosie’s Book Review Team.

*I received this book for free from the publisher or author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.*


 

The Killing Knife (A Tale of the Assassin Without a Name #1 – 3)

24264404The Assassin Without a Name takes the jobs he wants, dispensing death, or mercy, as he sees fit. His is a life of luxury, with a glass of the finest wine always in one hand and a killing knife in the other.

Then comes the Jakaree, a group of death-dealing fanatics hell-bent on subsuming Alchester in darkness. When the Assassin Without a Name’s closest friend and former lover finds herself embroiled in their machinations, he sets out to give the death-dealers a true lesson in death which they’ll never forget.

***

Enter a world of intrigue, adventure, magic, technology, and, of course, murder, as the Assassin Without a Name finds himself embroiled in a secret war where all is lost no matter who wins.

The Killing Knife is a compilation of the first three Assassin Without a Name fantasy adventure stories, Fine Wine, Killing the Dead, and Night of Zealotry.


gold starMy Review: 4 stars out of 5

Let’s hear it for the tropes. As reviewers, we can pretend to turn up our noses at them. But the fact is they can be a hell of a lot of fun. The hooker-with-the-heart-of-gold trope? Pretty Woman. The MarySue trope? Grease. (And almost every Disney film ever made.) The tormented-reluctant-alpha-hero trope? Die Hard. (And almost every western/thriller/romance film ever made.)

Scott Marlowe writes both straight-up fantasy and science fantasy. We all know anything can happen in fantasy. But toss in some pseudoscience, an infernal machine or two, and a healthy dose of rampant sorcery and you've got a true recipe for disastrous adventure and fun. Scott holds degrees in Computer Science Engineering, Comparative Literature, and English from the University of California, Davis. When he's not writing, Scott likes to hit the trails on his mountain bike or immerse himself in the excitement (sarcasm) and intricacies of tax software. He loves dogs, dark beer, and strong coffee. Originally from the San Francisco Bay Area, he now lives in Texas with his wife and two crazy dogs. You can find more information about Scott online at scottmarlowe.com.

Scott Marlowe writes both straight-up fantasy and science fantasy. We all know anything can happen in fantasy. But toss in some pseudoscience, an infernal machine or two, and a healthy dose of rampant sorcery and you’ve got a true recipe for disastrous adventure and fun.
Scott holds degrees in Computer Science Engineering, Comparative Literature, and English from the University of California, Davis.
When he’s not writing, Scott likes to hit the trails on his mountain bike or immerse himself in the excitement (sarcasm) and intricacies of tax software. He loves dogs, dark beer, and strong coffee.
Originally from the San Francisco Bay Area, he now lives in Texas with his wife and two crazy dogs.
You can find more information about Scott online at scottmarlowe.com.

But really, my favorite character trope is the hitman-with-a-code. He’s the best killer out there, a super-ninja who always gets his target, only he has a moral compass that won’t let him hurt kids/dogs/Mamas. And there are just so many of them out there, it’s a wonder anyone gets assassinated at all. We’re talking every killer-wannabe from the huntsman who couldn’t kill Snow White to Buffy the Vampire Slayer. In Grosse Pointe Blank, he’s the hitman who spurns the French government’s contract to blow up a Greenpeace vessel with the line, “No way—I have scruples.” In Terry Pratchett’s Diskworld, it’s any member of the Assassins’ Guild, whose motto is “Nil Mortifi Sine Lucre” (“No killing without profit”) but whose members are not allowed to kill the defenseless. (Dr. Cruces: “No, we do it for the money. And, because we above all must know the value of a human life, we do it for a great deal of money.”)

Lucky for me, now there’s Scott Marlow’s Assassin Without a Name, the antihero of The Killing Knife. When we meet our nameless protagonist, he’s in the middle of an ordinary work day—just wondering why it’s taking so long for his intended victim to get on with the dying. Fine Wine, the first story in the anthology, is little more than an introduction to the Assassin’s world. The killer-for-hire is not, he assures himself, a monster. Sure, he’ll still kill his victim, and he’ll still refuse the offer of a bribe because he’s already been paid—but after he makes the gut-eviscerating cut his employer requested he will add a subtle “mercy” cut to end the victim’s suffering. That’s Moral Code, baby. The amusing part comes when our noble assassin is offered a bribe he can’t refuse: a five-year supply of the intended victim’s incredible syrah wine, a victory over both the moral and business scruples of the killer.

In the next two stories, the Assassin Without a Name reveals further signs of a moral compass in direct opposition to his business priorities. While he does manage to kill both living and already-dead in Killing the Dead, the assassin finds himself seeking reassurance from one of the clerics that even one such as he could seek absolution.

“As a holy servant of my god and church,” Father Kem said, “my word is always representative of…” He stopped, sparing me the remainder of his practiced doctrine. Then he sighed. “The church oftentimes takes a hard stance against men such as yourself. But my own thoughts… I think all men deserve a chance to make amends.”

It was enough for me.

Scott Marlowe just plain gets it. Nobody wants to read about an assassin who questions his work, or who has moments of weakness. So these are for the most part, tiny blips on the radar of an accomplished professional killer. “They almost had me; in a fair fight, I’d be dead. But I never fight fair…” In the end, despite (possibly) saving the world, and (probably) saving the girl in Night of Zealotry, he remains comfortable in the skin of the killer. “I make no excuses regarding my love for wine; it may very well be my only vice. Killing people? That’s not a vice. Not for me anyway. It’s just what I do.”

If you’re looking for a complex novel with deep thematic threads, The Killing Knife isn’t the book for you. But if you’re up for a collection of fast-paced, tightly crafted little rollercoaster miniatures with plenty of snarky humor, then these stories are guaranteed to entertain. I’d give them four stars and a plea to Scott Marlowe to give this engaging killer a full-length novel to play in. He nails the hitman-with-a-code trope, and makes it his own.

 


 

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Blog: http://scottmarlowe.com | Twitter: @scottmarlowe

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