It’s not the destination—it’s the journey.
There are many out there who dismiss the romance genre as formulaic because its essentially defining feature is that there will be a HEA (Happily-Ever-After). How, critics ask, can you retain your feminist creds, your intellectual status, your literary chops if you pick up a book where you already know how it ends?
Well… tell me this. How many times do you plan a vacation where you have no idea of your destination? Not that often, I’d bet. My guess is that you’d say it’s the journey that matters, not the final result. And it’s the same with the romance genre. Sure, we expect that the two main characters will end up together. But the paths taken to reach that point are literally infinite in number. Just ask Elizabeth Bennett (Pride & Prejudice by Jane Austen), Claire Randall (Outlander by Diana Gabaldon), Kate Daniels (Kate Daniels series by Ilona Andrews) or any of the literally millions of romance heroines how they arrived at their HEAs.
Some of those paths are so well-travelled that the scenery is boring and the tour has become a cliche. Others, though familiar, still offer plenty of exciting, gorgeous, and just plain romantic scenery along the way.
“I did not see that coming.” —Said nobody at the end of a romance novel ever.
The Romance Novel Rehashed: Cliche or Trope?
The difference between a cliché and a trope is that tropes still work. Let’s say you just want to read a good, old-fashioned romance. The trope boils it down:

1. Boy and Girl meet cute. If this is YA, he’s a bad boy. If it’s paranormal, he’s a bad boy who is hungry. If it’s erotica, his bad boy is the biggest.

2. Girl has an Issue (or maybe a Goal). She’s worried (you can tell by the way she flicks her hair).

3. Boy has a Goal (or maybe an Issue). He’s angry. (You can tell by the way he ties his long hair back, which really annoys her because she wants it to be left loose so she can run her fingers through it. Not that she would. Because she’s got a…you know. Issue. Yeah, that’s it.)

5. By page 59, chests will be involved. If this is YA, they will have a Moment. If it’s adult, they’ll share a smoldering kiss. If it’s erotica, one or both will be tied up.

6. Because of their Obstacle, Girl rebuffs Boy. If this is YA, she won’t kiss him again. [You can take it from there…]

8. Girl and Boy realize they can overcome their Obstacle. They have sex (or, if this is Inspirational, a church wedding). If it’s a paranormal, they have a bite. If it’s erotica, they pretty much keep on doing whatever they’ve been doing since page 59. And they live HEA or at least HFN.
And the best part is this actually works. Through countless iterations, substitutions, shades, and the occasional glittery hoo-ha and/or vampire, romance stories are fun, satisfying, and endlessly varied.
For a look at a writer who nails the romance novel tropes, please see M.M. Jaye’s new release, Fate Captured.
Fate Captured by M.M. Jaye
Can two wrongs win Mr. Right?
Trish Swan is living her dream. She gave up chilly Boston for a sunny Greek island to write her novel. But she likes hot crime between the pages, not before her eyes. Yet, she doesn’t think twice about turning in a video she captures of a cop roughing up a man–but maybe she should because fate throws her a curve ball she least expects.
The mind-numbingly hot Greek from the bar isn’t just a cocky bad boy in need of a little love. He’s a shipping heir wrongfully accused.
By her.
Career in ruins, Markos’ life is a hot mess, all thanks to one sexy do-gooder who keeps popping up in the wrong place at the wrong time. Touching her becomes addictive, so maybe he could forgive her for doing her civic duty. But when she dredges up ghosts from his past, messing with his sanity, she gets a real taste of what he’s capable of.
With a man’s life on the line, Trish prepares for a head-on collision that will push Markos over the edge. What does she stand to lose anyway? Her heart?
He already owns it.
My Review: 4 stars out of 5
In her debut novel, author MM Jaye takes a double approach to romance writing by offering her story in two versions, clean and spicy. And lucky me—I got to read both!

MM Jaye’s mom claims that she spoke her first word at the age of six. Months. As a kid she would record fairy tales in her own voice, play them back and then re-record adjusting the pitch and tempo. Later, she used her voice to inspire young adults and teach them the art of translation. But there came a time when life took a turn for the worse, and her voice temporarily died out. That’s when she turned to writing.
Fate Captured is the first book in her Greek Tycoons series, set on the Greek island where her husband proposed. MM Jaye lives in Athens, Greece, with her husband, daughter and Kindle.
Both books have all the right ingredients for a romance novel. First, of course, there’s the main character Trish. Trying to establish her own identity apart from her emotionally distant parents, she’s come to Greece to work on her dream of becoming a writer. I particularly enjoyed Trish’s rich and quirky internal life. With her secret belief that she’s both a bit psychic and a naturally adept detective, she doesn’t hesitate to step up when she thinks she can make a difference. Whether it’s secretly filming a crime in process, or intervening to fix the lives of those around her, Trish is a combination of klutz and heroine.
Of course, it’s what she doesn’t know that gets her in trouble, especially when it comes to the sexy man in the bar where she works. Marko, the estranged son of a shipping magnate, has been trying to live by his own code of honor. But that life has fallen apart, and he’s drinking to forget all the things that have gone wrong. Although the attraction between them is unmistakable, their first meeting leaves her infuriated and him wearing the drinks she’d been delivering. Or was that really their first meeting?
Fate Captured proceeds to tick off the elements of a classic romance—the meet cute, the initial mutual attraction, the explosion when each feels betrayed, the life and death decisions each of them faces. But author MM Jaye knows that it’s all about the journey, not the HEA at the end. She gives each of these elements a customized slant, and makes her characters work for their happy ending. Trish and Marko have to outgrow their preconceived notions about each other and their families. There are some cute touches along the way, such as the way the hero in Trish’s novel in progress begins to look suspiciously like a certain Greek. And that trademark heroine hair flick? Trish nails that one too.
Taking advantage of his momentary distraction, she threw out her hand, snatched his tumbler and brought that drink down on him as well.
His gaze dropped to his lap.
‘Now that was payback.’ She pivoted and tossed her long hair with such gusto, it had to have whipped his face.
There were a few places where the action seemed slightly disconnected, and where I had to backtrack to figure out who was doing what where. Plus there were a couple of places where skepticism had to be suspended. (I’m sure someone who had been working in law enforcement could enter a completely different career and in less than a month be closing multi-million dollar deals. Why not?) But overall the story was well-paced and the two main characters were three-dimensional and appealing.
And then there are those differences between the two books. True to her word, one of MM Jaye’s versions is a sweet old-fashioned tale perfect for anyone who wonders whatever became of those good old Mills & Boon or Harlequin romances. After I read the “clean” version, I braced myself for “spicy”. But I was pleasantly surprised to find myself liking it much better. The characters just made more sense. These are grownups with healthy libidos, but their romance is even sweeter, while still a far cry from even a whiff of porn.
So in our world of anonymous Kindles, my advice is to take that “spice”version with you the next time you want a nice light beach read…even if your beach isn’t any further away than your sofa. It’s a classic romance from a new writer to watch. I wouldn’t hesitate to give it four stars, and to look forward to MM Jaye’s next book in this new series.
***I received this book for free from the publisher or author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.***
Book Title: Fate Captured
Author: MM Jaye
Genre: Contemporary Romance
Length:
Release Date: Istomedia Publishing (April 27, 2016)
Contact and Buy Links:
Blog | Twitter| Facebook | Pinterest | Google+
Spicy Version: Amazon (US) | Amazon (UK)
Clean Version: Amazon (US) | Amazon (UK)
I like knowing things will work out in the end. Middlemarch is a serious book with a lot of the things you listed here–all the right people should end up together in a perfect world. 🙂
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Perfect example! Great literature by any standard.
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Okay, call me naive, but if they’re both tied up (and I’m assuming that’s at the same time, with no third or fourth parties involved)–. Umm. Doesn’t that kind of slow the action down?
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Well, I’m certainly no expert… But luckily, such people exist. I’m assuming that actual minutes spent tied up will not constitute the entirety of the story line. Heck, even in the 118 minutes of Fifty Shades (the movie), only 19.31 minutes were spent in actual “sexy time”. (And if you want the breakdown on numbers of spanks, “laters, baby”, and general nippelage/butts/bush flashes, you can actually get the count at http://www.mtv.com/news/2075982/fifty-shades-of-grey-by-the-numbers/
Seriously.
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Nah, that’s okay, but thanks, it’s a very thoughtful offer.
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! [I wonder who drew the short straw for THAT assignment over at MTV?]
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Thank you so much for featuring Fate Captured in this wonderful article on romantic tropes. As for me, I’m all for what Nora Roberts said (I think): “If you don’t want happy endings, look around you”. And, unfortunately, living in recession-riddled Greece, looking around me at the thousands of refugees meandering aimlessly, waiting for the European borders to open, and the unemployment at 27%, non-happy endings have become the cliche. At least my heroes get a shot at happiness together, but they do have to work hard for it.
Again, thank you for the wonderful review! Writing in a language that’s not my first is a daunting task (I hate prepositions!), and I’m always worried if I nailed it.
Greetings from Greece!
Maria w/a MM Jaye
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Oh, and in my stories, the boy rebuffs the girl … but he’s wrong. I just can’t resist the groveling in the end 🙂
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The only preposition rule I know is one I break with absolute regularity—
A snobbish English teacher was sitting in an Atlanta airport coffee shop waiting for her flight back to Connecticut, when a friendly Southern Belle sat down next to her.
“Where y’all goin’ to?” asked the Southern Belle.
Turning her nose in the air, the snob replied “I don’t answer people who end their sentences with prepositions.”
The Southern Belle thought a moment, and tried again.
“Where y’all goin’ to, BITCH?”
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Aha – most interesting, as I, too, have taken this to review! A ‘challenge’ for me as I don’t do straight romance but like it when there’s a bit more to it; looking good 🙂
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Hope you enjoy it. (Go for the spicy version!)
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A nice review. I liked your cover art for the imaginary novel: “For Love of Scottie McMullet.” You’ve managed to capture the depth and character of a novel set in Northern Scotland during the 1980’s. (Obviously there is a Highland Games going on, or a Reenactment Faire, or something to explain everyone’s outfits.)
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Hi Barb. I think all genres follow a certain path; the fantasy quest, the who-dunn-it, etc etc they all have a certain formula, and that is what leaves the reader satisfied… they get what they came for. Romance would not be my ‘thing’, but it still provides the same escapism for fans that I get from fantasy for example. Great, believable characters are what matter in any story. Except erotica. Its just about sex, so who cares about character? Lol!
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I suppose to me, as a feminist, a romance writer, and a general writer the problem is that people say romance has to have a happy ending. I don’t think it always does and I don’t think staples of genres inherently become cliches until they’re written that way. If you just regurgitate the same story with the same character arch types over and over again you aren’t doing anything that looks challenging to most readers. That is one part of why romance is looked down upon. The ways in which we complicate stories and tell them in the genre are often buried by a dozen to a hundred dull versions of the same basic elements. Regardless of the genre I think cliches require a skilled hand and a willingness to complicate them into something more. That lack of willingness to complicate things is why lifetime movie have gotten worse over the years…that and a lack of sincerity in story telling. But overall you make a good point. The cliches are not in themselves bad it always comes down to execution and knowing how to use them. Unfortunately a lot of people think they get it and don’t.
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I’m not saying that I necessarily agree with them, but romance readers are a formidable buying force who define their genre by the HEA. ANYTHING else–from Romeo and Juliet to the Brothers Grim is just a story with romantic elements. The WORST review I’ve ever received from a review site was for a book where the main character didn’t end up with her love interest. Readers were furious and demanded their money back. This despite the fact that it was never marketed as a romance.
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I just take issue with defining an entire genre by one element. That just makes it easier for people in the industry, and let’s be honest sexists, to decide that a story where the romance is central isn’t “really” a romance because the story is good or a mix of genres. Unfortunately, I think as you saw with your readers some people really demand romances go a particular way. I honestly think it is somewhat important to not give a happy ending all the time, but I will say as a person under 25 I have noticed a VERY stark difference in workshops where millennials are very much against or are cynical about even the happy endings that they like.
And I hate that you got that review, but ya know I think that does speak to how invested they were in the story in a weird way.
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